Sunday 24 August 2008

Bernie Mac Honored By Samuel L. Jackson, Jesse Jackson, Chris Rock, Others At Chicago Memorial





Friends and family of late comedian Bernie Mac, who died on August 9 from complications due to pneumonia, came stunned to celebrate his life at a memorial service held at Chicago's House of Hope on Saturday. Along with his fellowship, his fellow "Kings of Comedy" � Cedric the Entertainer, Steve Harvey and D.L. Hughley � shared their darling memories of the 50-year-old.


Although it was a sad occasion, the Chicago Tribune reported that Cedric the Entertainer made sure the event was also as funny as the man himself. "This dude is a identical, very popular guy," he told the mourners. "You know y'all were like, 'Let me get four-spot tickets to the funeral!' He's still the hottest ticket in town!"


The Tribune described the four-hour-long memorial table service as part comedy bear witness and part church service of process. A common sense of red was as well felt for Isaac Hayes, who passed away the same weekend as Mac and was also remembered in a video tribute for the comedian.


There was no dearth of kind words for the TV and flick star. "Bernie always aforementioned that he walked only. I don't think that he was alone. I think he was walk with Jesus. I'll see you shortly, Bernie," Steve Harvey told the push, before jocular, "Well, I don't want to check you too soon."


Among the 7,000 mourners were other of Mac's Hollywood friends, including his "Soul Men" co-star Samuel L. Jackson, as well as Don Cheadle, Chris Rock, Chicago Mayor Richard Daley and Reverend Jesse Jackson. Although they weren't in attendance, Oprah Winfrey, "Ocean's Eleven" co-star Andy Garcia and Senator Barack Obama sent their condolences to Mac's married woman, Rhonda, and daughter, Je'Niece.


"Michelle and I were so deeply deplorable to try about your loss. ... He ... [made] us laugh and laugh hard," read the statement from Obama, whose campaign had recently rebuked Mac for joking more or less infidelity, change of life and vehemence at a July fundraiser. But in the statement, Obama admired Mac for saying what others couldn't, adding, "Bernie Mac volition be painfully missed."







More info

Thursday 14 August 2008

Gnarls Barkley puts on crazy good Wilbur show

Midway through a bright set from Gnarls Barkley at the Wilbur Theatre last night, stout vocaliser Cee-Lo apologized for a scratchy throat.


Really Cee-Lo, it�s OK. If that was a slightly under-the-weather performance, it would be borderline frightening to see you at top of the inning speed.


Cee-Lo began his professional music career not as a isaac Merrit Singer, but as a rapper in the Atlanta chemical group Goodie Mob before hook up with Danger Mouse to shape Gnarls Barkley. Nevertheless, his vocal power is like harnessing the power of a gospel choir and adding rock, unpredictability and cigarettes to the mix.




Danger Mouse left the audience interaction up to Cee-Lo during the hour-plus arrange and stayed busy singing backup vocals while acting the organ, what appeared to be a xylophone, and on the high-powered �Run,� a whistle.


Clearly you have to be a multi-tasker to work for Gnarls Barkley. Most of the band members (dressed in what appeared to be preparatory school uniforms) played multiple instruments, sometimes at the same time, while the set meandered all over the position and still made sense.


From the organ-heavy opener �Can�t You See,� the group segued into the heavily �60s-influenced �Surprise,� the first display of Cee-Lo�s full-on vocal major power. There was the party starter �Gone Daddy Gone,� the �good old-fashioned rock �n� roll� of �Whatever� and the group�s love life song, �Blind Mary.�


But even when things weren�t quite as electrifying, they were no less interesting. �Transformer� - when Cee-Lo transformed into a man eroding a tank car top - and �Neighbors� were both subdued tracks that place the spot on his weathered, soul-stirring vocals.


Smash single �Crazy� was a requirement inclusion on the set list and had a great deal of the sold-out crowd bopping aside, but it was the encore �Who�s Gonna Save My Soul� that was the nearly compelling. Slower and darker than the album version, it began with only a programmed drum beat and Danger Mouse on the organ, and complete with a quasi-possessed Cee-Lo smoking a cigarette and wailing as guitars and synths trembled around him.


Hercules and Love Affair provided a, shall we say, muscular opening effort. The eight-piece outfit that somehow crammed themselves onstage in front of the Gnarls setup was eclectic both visually and musically, combining elements of disco, funk and electronic and featuring a clustering of geeky guys on instruments and a modelesque lead vocalist. The New York-based radical had audience members disco-clapping happily before Gnarls took to the stage.


Gnarls Barkley, with Hercules And Love Affair

At the Wilbur Theatre, last night.







More info

Wednesday 6 August 2008

Monogram Biosciences Launches First Resistance Assay For HIV Integrase Inhibitors

�Monogram
Biosciences, Inc. (Nasdaq: MGRM) announced the launch of its
PhenoSense(R) Integrase assay, built on Monogram's proprietary engineering
platform, PhenoSense(R). The assay directly measures the susceptibility of
HIV to a new and potent class of integrase inhibitor drugs that blocks
viral reproduction by preventing viral genes from desegregation into the DNA
of newly infected cells. Together with PhenoSense GT(R), PhenoSense
Integrase provides the nigh complete picture of resistance to
antiretroviral therapies.



PhenoSense Integrase along with other Monogram assays were victimized to
support the clinical trials of the first-class honours degree commercially-available integrase
inhibitor, Merck's Isentress(TM) (raltegravir), which received U.S. Food
and Drug Administration (FDA) approval in October 2007. In Merck's phase
III BENCHMRK trials, Monogram's PhenoSenseGT was secondhand to select optimized
drug regimens in the placebo and Isentress-containing treatment weaponry while
PhenoSense Integrase was used to identify and characterize Isentress
resistant viruses in discussion failures. The company is also actively
involved in the clinical evaluation of Gilead's integrase inhibitor
candidate, elvitegravir, currently in Phase III studies. In addition to
drug resistance, PhenoSense Integrase likewise measures reductions in viral
replication mental ability associated with integrase inhibitor resistance that
may help characterize viral fitness.



"Using new antiretroviral drugs right today, including HIV
integrase inhibitors, is critically crucial since the pipeline for
additional new agents is not likely to supply treatment options beyond our
current choices for a number of years," said Dr. Charles Hicks, Associate
Professor of Medicine at Duke University Medical Center. "Tools like HIV
resistance phenotype tests (including Monogram's PhenoSense Integrase and
PhenoSense GT assays) and the HIV tropism assay (Trofile(TM)) are important
tools to help clinicians make practiced choices. They can as well help with
modifying regimens that ar not suppressive by determinative whether
additional resistance has emerged and which drugs are no longer active."



"As the first and only commercially available assay to measure
integrase inhibitor resistance, PhenoSense Integrase exemplifies Monogram's
leadership position in personalized medicine and the Company's continued
commitment to develop forward-looking HIV diagnostics that tailor drug
treatments to the individual patient," said Monogram CEO William Young. "As
evidenced by today's production launch and last year's introduction of
Trofile, Monogram is firm committed to ensuring that cutting-edge
nosology are promptly available to meet the needs of patients and
physicians."



The performance of the PhenoSense Integrase check is validated in
deference with regulations specified by the Clinical Laboratories
Improvement Amendments (CLIA) and is performed in Monogram's Clinical
Reference Laboratory, which is accredited by the College of American
Pathologists (CAP).

About PhenoSense Integrase Assay



PhenoSense Integrase determines the susceptibleness of a patient's HIV-1
strain to integrase inhibitors. The region of the HIV genome that encodes
integrase is amplified from a patient blood sample and inserted into a
proprietary essay vector that is used to father virus particles that
retroflex using the patient virus integrase protein. Completion of a single
replication rhythm results in the production of luciferase activity in
infected cells. Infection in the presence of do drugs is performed to determine
whether a patient virus is sensitive or resistant to integrase inhibitors.
Based on the amount of luciferase activity produced in the absence of drug,
PhenoSense Integrase also provides a measure of replication capacity (RC)
of integrase inhibitor tender and resistant viruses.

About Monogram



Monogram is a biotech company forward-moving individualized medicine
by discovering, developing and marketing innovative products to guide and
improve treatment of serious infectious diseases and genus Cancer. The Company's
products are designed to help doctors optimize treatment regimens for their
patients that lead to better outcomes and reduced costs. The Company's
technology is also being used by numerous biopharmaceutical companies to
develop new and improved antiviral therapeutics and vaccines as well as
targeted cancer therapeutics. More data about the Company and its
engineering can be found on its network site at http://www.monogrambio.com.

Forward Looking Statements



Certain statements in this press release are forward-looking. These
forward-looking statements include references to the use of our resistance
assays, including PhenoSense Integrase, and our Trofile Assay, the size and
timing of clinical trials utilizing our products. These modern
statements ar subject to risks and uncertainties and other factors, which
may cause actual results to differ materially from the anticipated results
or other expectations expressed in such forward-looking statements. These
risks and uncertainties include, merely are non limited to: the risk that
physicians may non use a molecular diagnostic for patient selection or
monitoring for Isentriss, Selzentry or early HIV drugs; risks and
uncertainties relating to the performance of our products; the outgrowth in
revenues; the size of it, timing and success or failure of any clinical trials
for CCR5 inhibitors, entry inhibitors or integrase inhibitors; whether
larger validatory clinical studies will confirm the results of initial
studies; our ability to establish honest, high-volume operations at
commercially reasonable costs; expected reliance on a few customers for the
majority of our revenues; the yearly renewal of certain client
agreements; actual market credence of our products and adoption of our
technological approach and products by pharmaceutical and biotechnology
companies; our estimate of the size of our markets; our estimates of the
levels of demand for our products; the encroachment of contention; the timing
and ultimate size of pharmaceutical company clinical trials; whether payers
will authorise reimbursement for our products and services and the amount
of such reimbursement that may be allowed; whether the FDA or any other
agency will decide to further regulate our products or services, including
Trofile; whether the draft counseling on Multivariate Index Assays issued by
FDA testament be afterwards determined to apply to our stream or planned
products; whether we will encounter problems or delays in automating our
processes; the ultimate validity and enforceability of our patent
applications and patents; the possible infringement of the intellectual
property of others; whether licenses to third party applied science will be
available; whether we ar able to build brand loyalty and expand revenues;
restrictions on the lead of our business imposed by the Pfizer, Merrill
Lynch and other debt agreements; the impact of additional dilution if our
convertible debt is reborn to equity; and whether we testament be able to
raise sufficient capital in the future, if required. For a give-and-take of
other factors that may cause actual events to disagree from those projected,
please refer to our most recent yearly report on Form 10-K and every quarter
reports on Form 10-Q, as well as other subsequent filings with the
Securities and Exchange Commission. We do not undertake, and specifically
disclaim whatever obligation, to revise any ing statements to
mull the occurrence of anticipated or unforeseen events or
circumstances afterward the

Friday 27 June 2008

Apprentice star talks up about winner

'The Apprentice' runner-up Claire Young has criticised the winner of the show, Lee McQueen, saying he would be happy working as a cleaner for Alan Sugar.
The 28-year-old runner-up told Heat magazine: "Lee likes everyone to love him - in that respect he's easy to manage. He won't cause any disruption."
"If Sir Alan said to him 'Lee, you're gonna be a cleaner for the next year' Lee would be like, 'Fantastic, because I'm doing it for Sir Alan'. If Sir Alan said that to me, I'd tell him to naff off."
She also said in the interview that she felt she had more general experience than the show's winner and could see why Sugar felt that Lee would have more to learn.
Young said: "I'm much tougher and probably more well-rounded. Lee's fantastic at sales, but that's pretty much what he does for a living, so in an apprentice sense he's got more to learn."
"I could have gone into Sir Alan's businesses and really had a different perspective, challenged him and shaken things up. But maybe he wants a quiet life."

Thursday 19 June 2008

Sylvester Stallone - Bollywood Producer To Make Movie In Hollywood



Bollywood film producer Sajid Nadiadwala says his next film will be shot at
Universal Studios in Hollywood and that he has signed Sylvester Stallone to
appear in it as himself, according to published reports in India. Nadiadwala
said earlier that California Governor Arnold Schwarzenegger and Beyonce had
also agreed to appear in the film, Kambakkth Ishq. The film stars Akshay
Kumar as a body-double and stuntman in Hollywood films.






16/06/2008





See Also

Friday 13 June 2008

Jay-Z Tickets Not Selling Well In The UK

Despite Jay-Z signing a deal worth $150 million with tour company Live Nation, it seems fans aren't so eager to flock to his shows in the UK.


The rapper is playing several UK dates this Summer which are still on sale, as well as a large event at Milton Keynes Bowl later this month with Linkin Park as part of his 'Projekt Revolution tour'. However, only 40,000 tickets out of 75,000 available have sold.


Jay-Z has been blamed by some for the reason Glastonbury Festival hasn't sold out this Summer, despite previous years selling out in record time.


The unsold July events are:


Bournemouth International Centre � 15

Cardiff International Arena � 16

Manchester, Evening News Arena � 19

Glasgow, SECC � 20

Aberdeen Exhibition Centre - 21




See Also

Sunday 8 June 2008

Dave Brubeck

Dave Brubeck   
Artist: Dave Brubeck

   Genre(s): 
Jazz
   



Discography:


Late Night Brubeck   
 Late Night Brubeck

   Year: 2005   
Tracks: 8


Time Changes   
 Time Changes

   Year: 2004   
Tracks: 7


Private Brubeck Remembers (CD 2)   
 Private Brubeck Remembers (CD 2)

   Year: 2004   
Tracks: 10


Private Brubeck Remembers (CD 1)   
 Private Brubeck Remembers (CD 1)

   Year: 2004   
Tracks: 14


Time Further Out   
 Time Further Out

   Year: 2003   
Tracks: 11


Park Avenue South   
 Park Avenue South

   Year: 2003   
Tracks: 10


Ken Burns Jazz Series: Dave Brubeck   
 Ken Burns Jazz Series: Dave Brubeck

   Year: 2001   
Tracks: 15


One Alone   
 One Alone

   Year: 1999   
Tracks: 13


The 40Th Anniversary Tour Of Tour Of The Uk   
 The 40Th Anniversary Tour Of Tour Of The Uk

   Year: 1998   
Tracks: 9


So What's New   
 So What's New

   Year: 1998   
Tracks: 11


Time Out   
 Time Out

   Year: 1997   
Tracks: 7


In Their Own Sweet Way   
 In Their Own Sweet Way

   Year: 1997   
Tracks: 10


Nightshift - Live at the Blue Note   
 Nightshift - Live at the Blue Note

   Year: 1995   
Tracks: 9


For Iola   
 For Iola

   Year: 1990   
Tracks: 7


Reflections   
 Reflections

   Year: 1985   
Tracks: 8


Paper Moon   
 Paper Moon

   Year: 1982   
Tracks: 7


All The Things We Are   
 All The Things We Are

   Year: 1976   
Tracks: 5


We're All Together Again For The First Time   
 We're All Together Again For The First Time

   Year: 1972   
Tracks: 6


Dave In Disneyland   
 Dave In Disneyland

   Year: 1966   
Tracks: 8


Countdown: Time in Outer Space   
 Countdown: Time in Outer Space

   Year: 1962   
Tracks: 12


Jazz At College Of The Pacific   
 Jazz At College Of The Pacific

   Year: 1953   
Tracks: 6


Time In   
 Time In

   Year:    
Tracks: 11


Park Avenue South (Live)   
 Park Avenue South (Live)

   Year:    
Tracks: 10


Double Live From the U.S.A. and U.K. (Live) (CD2)   
 Double Live From the U.S.A. and U.K. (Live) (CD2)

   Year:    
Tracks: 8


Double Live From the U.S.A. and U.K. (Live) (CD1)   
 Double Live From the U.S.A. and U.K. (Live) (CD1)

   Year:    
Tracks: 9


Concord on a Summer Night   
 Concord on a Summer Night

   Year:    
Tracks: 5




Dave Brubeck has long served as proof that creative jazz and popular success canful go together. Although critics world Health Organization had championed him when he was unknown seemed to contempt him when the Dave Brubeck Quartet became a surprise success, in world Brubeck never watered down or adapted his music in order to acquire a wide-eyed audience. Creative engagement (being unmatched of the showtime groups to play on a regular basis on college campuses) and a bit of fortune resulted in capital popularity, and Dave Brubeck remains one of the few home name calling in nothingness.


From closely the start, Brubeck enjoyed utilizing poly-rhythms and polytonality (performing in two keys at erstwhile). He had classical training from his mother, only fooled her for a long flow by memorizing his lessons and non eruditeness to show music. He studied music at the College of the Pacific during 1938-1942. Brubeck light-emitting diode a service isthmus in General Patton's Army during World War II and and so, in 1946, he started studying at Mills College with the classical composer Darius Milhaud, world Health Organization encouraged his students to play jazz. During 1946-1949, Brubeck light-emitting diode a mathematical group for the most part consisting of swain classmates, and they recorded as the Dave Brubeck Octet; their music (released on Fantasy in 1951) static sounds sophisticated today, with complex fourth dimension signatures and some polytonalism. The vIII was too chemical group to make much work, so Brubeck formed a trio with drummer Cal Tjader (world Health Organization two-fold on vibes) and bassist Ron Crotty. The trio's Fantasy recordings of 1949-1951 were quite an popular in the Bay Area, but the mathematical group came to an end when Brubeck hurt his back up during a serious swimming accident and was put out of action for months.


Upon his return in 1951, Brubeck was persuaded by altoist Paul Desmond to make the grouping a quartet. Within two old age, the band had turn surprisingly popular. Desmond's cool-toned alto and speedy mentality fit in well with Brubeck's much heavy chording and data-based playing; both Brubeck and Desmond had original sounds and styles that owed small to their predecessors. Joe Dodge was the band's early drummer simply, after he tired of the route, the virtuosic Joe Morello took his property in 1956; piece the revolving bass chairperson finally settled on Eugene Wright in 1958. By then, Brubeck had followed his popular series of Fantasy recordings with some big sellers on Columbia, and had appeared on the wrap up of Time (1954). The brobdingnagian success of Paul Desmond's "Take Five" (1960) was followed by many songs played in "odd" time signatures such as 7/4 and 9/8; the high quality soloing of the musicians kept these experiments from sounding care gimmicks. Dave and Iola Brubeck (his married woman and lyrist) put together an anti-racism demo featuring Louis Armstrong (The Real Ambassadors) which was recorded, merely its only if public appearance was at the Monterey Jazz Festival in the early '60s.


The Dave Brubeck Quartet perpetually traveled around the world until its dissolution in 1967. After some time off, during which he wrote religious works, Brubeck came back the following year with a new quatern featuring Gerry Mulligan, although he would take several reunions with Desmond ahead the altoist's death in 1977. Brubeck coupled with his sons Darius (keyboards), Chris (electric bass and bass trombone), and Danny (drums) in Two Generations of Brubeck in the 1970s. In the early '80s, tenor saxophonist Jerry Bergonzi was in the Brubeck Quartet, and beginning in the mid-'80s, clarinettist Bill Smith (wHO was in the original octet) alternated with altoist Bobby Militello.


There is no shortfall of Dave Brubeck records currently available, practically everything he trim back for Fantasy, Columbia, Concord, and Telarc ar well-off to place. Brubeck, whose compositions "In Your Own Sweet Way," "The Duke," and "Blue Rondo a la Turk" take become standards, remained very officious (contempt some bouts of forged health) into the 2000s.